I was given an extensive script of the dialogue for The Workhouse Queen Track. The voice acting had already been recorded so I was able to listen to that first. This helped me to further understand the character and the context, as I got a sense of age, and gender, and the tone of her voice indicated what possible emotions the character was feeling. I read through the script and made notes on location/surroundings, situation, feelings, and objects and took note of the time period. I did extensive research on the conditions of a workhouse and integrated that into the sound story. I mixed the track in Logic Pro. I had an archive of sounds I had recorded when I was studying in Farnham so I was able to use some of these to build an authentic atmosphere. I used a recording of building works as a constant, underlying sound. I placed some reverb over the top to make it sound distant and unrecognizable. You could hear a faint, rather harrowing beeping sound that I imagined could hint at the constant machine noise of a workhouse. I also layered my voice over specific points in the story, to add a powerful and other-worldly element to the undead. I was working in a 7.1.2 surround format to give some spatial awareness and make the story more immersive. I had certain sounds panning to the left and right to create tension and uncertainty. I completed this project within a very short time frame and was extremely pleased with the outcome. I didn't want to overcomplicate the sound design and, instead wanted these sounds to guide the listener into a feeling. Sophie Austin advised more of an ambient approach to all the sound stories and to not just throw obvious sound effects into the mix. It was a really interesting project to be a part of and I'm very grateful to have been involved. I would love to work on more audio stories in the future, as I still have more to learn and experiment with.